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Sonic Milestone: The Weeknd’s ‘Blinding Lights’ Shatters Records With 4 Billion Spotify Streams

Written by on 14 Ιανουαρίου 2024

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In a groundbreaking achievement, The Weeknd‘s chart-topping hit “Blinding Lights” has soared to new heights by surpassing the unprecedented milestone of 4 billion streams on Spotify. Confirmation from a representative of the streaming giant solidifies the track’s status as the all-time most-streamed song on the platform, dethroning Ed Sheeran’s “Shape of You” just over a year ago.

The staggering success of “Blinding Lights” not only cements The Weeknd’s dominance on Spotify but also translates into a financial windfall that places the artist in an elite league of earners. With an estimated $15.5 million to $17.5 million in royalties for the sound recording and an additional $4.5 million in publishing, the song stands as a testament to the lucrative potential of streaming platforms.

Delving into the numbers, the complex world of streaming royalties unfolds. While payment rates vary across services, Spotify, the world’s largest paid streaming platform, generally pays between $0.003 and $0.004 per stream. As a result, “Blinding Lights” emerges as a financial juggernaut, amassing over $20 million in revenue from a single song on one streaming service alone.

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This financial triumph underscores not only the global impact of The Weeknd’s music but also the evolving landscape of the music industry. As streaming continues to dominate music consumption, “Blinding Lights” serves as a beacon, illuminating the unprecedented possibilities for artists to thrive in the digital era.

From its infectious beats to its record-breaking streaming numbers, “Blinding Lights” not only soundtracks our lives but also stands as a testament to The Weeknd’s ability to captivate audiences and redefine the parameters of musical success. As the song continues to radiate its brilliance across the digital realm, The Weeknd’s legacy as a trailblazer in the streaming era is firmly established, leaving an indelible mark on the future of music.

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